![]() ![]() It was written by Michael Joyce, a professor and passed around on a floppy disk. In the late 1980s, a work of short fiction began circulating through a small subculture of writers and technologists called “ Afternoon, a Story”. In a recent article for Book Riot, author Danika Ellis wonders this very thing, writing, “Why can’t I check out an interactive version of my favourite book, where there is an embedded playlist, so I hear the same music or bird songs the characters are listening to? Why don’t my textbooks all come with interactive illustrations that can be rotated and disassembled? Why isn’t there an ebook of House of Leaves that is even more immersive and claustrophobic? Where are the ebook gifs, I ask you?” It seems to us that there is a certain kind of story that might benefit from feeling as though it’s open to the whole world. Music, links to references, images, locations, videos, fashion, pop-culture references. Interactive fiction is currently seen as a games skill, so writers who pursue a post-secondary education in creative writing are rarely exposed to the medium by their college or university programs or professors, instead becoming proficient in telling stories in more traditional mediums.īut even beyond branching narratives, it’s surprising that ebooks are not more interactive in terms of the rich media they could provide. This also comes down to education, which contributes to their hesitation. Writing interactive fiction is a demanding task that most novelists would balk at. Definitely a problem.īut back to the main question, which is why aren’t interactive ebooks a mainstream thing by now? Well, as we can now attest, they are incredibly difficult to write. I did a Kindle version of The War-Torn Kingdom (the first Fabled Lands book) which was just hyperlinked text with the ability to leave items at locations using the Notes function.”Įven if we could port our Twine content into a book-friendly writing program, or, god forbid rewrite it all, and even get all the story paths hyperlinked, there was no guarantee it would be playable in everyone’s various devices. It all depends on how much interactivity your book needs. So you could play the Frankenstein prototype just fine on iBooks or the Chrome e-reader, both of which support Javascript as per the spec, but there’s no guaranteeing which reading app somebody will have installed. “The snag was that although part of the epub3 spec was that it should support Javascript, quite a few of the supposed epub3 readers didn’t bother with that. “I was thinking of an epub3 version of Frankenstein, and we had a perfectly good working prototype,” he told us over email. ![]() His answer was basically, ‘Sort of… but there are challenges’: Our question for Morris was simple – Is it worth the effort? Morris had worked with Inkle on a popular interactive adaptation of Marry Shelley’s “ Frankenstein” and we knew that he had gone through some version of develop hell to bring it to e-readers as well as iOS. It certainly seemed like a market worth investing in.īefore diving headlong into development though, we sought some advice from an expert, someone who we knew had been down this road-less-traveled already – author of “ The Fabled Lands” series, and gamebook legend, Dave Morris. ![]() We had recently released our adventure novel “ New Horizons” and were seeing how many readers were out there, waiting and interested in finding fresh stories in ebook form. FABLED LANDS IOS FOR ANDROIDWhen we were developing our interactive sci-fi story The Pulse for Android devices, we asked ourselves what seemed like a very simple question: can we make this available as an interactive ebook so our book customers on Amazon could experience it on their Kindle readers? ![]()
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